Exhibits

A Feeling of Humanity:
Western Art from the Ken Ratner Collection

Save the Date!

Friday, September 16, 2016:
3rd Annual Heritage Dinner honoring Leighton & Jim Donnell

Ritchey Brothers Building, Gage Hotel, Marathon, Texas
Tickets: $125 per person
For more information, contact Maggie Rumbelow at ude.s1472416331sorlu1472416331s@wol1472416331ebmur1472416331.eigg1472416331am1472416331 or 432.837.8143

Saturday, September 17, 2016:
Exhibit Open to the Public

10:00 a.m. & 11:00 a.m. – Gallery Talks
6:00 p.m. – Opening Reception

Jim Bones

Jim Bones: 50 Years of Bagging Light in the Big Bend

EXHIBIT DATES: Through August 31, 2016

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Jim Bones was born in Monroe, Louisiana, in 1943. His father was an Air Force officer so he attended many primary schools, graduating from high school in Lompoc, California, in 1962. He enrolled at UT Austin in 1962 to study aerospace engineering, but soon switched to geology. He then changed to fine arts to study and work with the documentary photographer Russell W. Lee.

In 1965 Bones began a lifelong career working with a large-format camera that makes 4x5 inch transparent slides. His first professional job was as production assistant to filmmaker Ron Perryman, for the H.E.W.-sponsored film, Pandora’s Box, Austin, Texas (1967) and the following year as a research photography consultant, for Programma de Education InterAmericana, for Texas A&M University. From 1971 to 1972 he was a photography teacher at Laguna Gloria Art Museum in Austin, Texas. He spent a year (1972-1973) at the Dobie-Paisano Ranch, near Austin. The photographs made during his residency were published in 1975 in Texas Heartland: A Hill Country Year with John Graves.

From 1975 to 1978 he worked in Santa Fe, New Mexico, as the dye transfer printing assistant to Eliot Porter, who was widely respected for his large-format color work, especially of nature. Bones’ other works include the black and white book Texas Earth Surfaces (1970), Texas Wild, with Richard Phelan (1976), Junks of Central China, with Joseph E. Spencer (1976), Texas West of the Pecos (1981), Rio Grande, Mountains to the Sea (1985), Texas, Images of the Landscape (1986), Seeds Of Change-The Living Treasure, with Kenny Ausabel, (1994), The Smithsonian Guides To Natural America, The South Central States, with Mel White (1996), and A Long View Southwest, with J. Frank Dobie (2012). Encino Press of Austin, Texas, published two portfolios of Bones’ handmade dye-transfer prints, A Texas Portfolio, with John Graves (1977), and A Wildflower Portfolio (1978).

While living in Santa Fe from 1978 to 2005, he was a self-employed photographer, writer and guide and upon moving to Alpine in 2005 has been the Interpretive Exhibit Photographer and Design Consultant for the Brewster County Tourism Council. Bones also produced Images and Memories, an 8-part series of video programs about nature with writer Bill Porterfield for The Public Broadcasting System at KERA-TV, Dallas, Texas (1970-1971). In 1998 he produced The Seed Ball Story, a half hour video about a unique habitat restoration technique. His most recent video, Dreams of the Earth, Love Songs for a Troubled Planet, was made in collaboration with Terlingua songwriter, June Rapp. All are viewable on Youtube.

His works are in the permanent collections of: Alexander and Alexander of Texas, Inc., Fort Worth, Texas ; Allen State Bank Collection, Dallas, Texas, Amon Carter Museum, Fort Worth; Greg Copeland Collection, Fairfield, New Jersey; Museum of Fine Arts, Houston, Texas; Photography Collection, Harry Ransom Humanities Research Center, University of Texas, Austin, Southland Royalty Company, Fort Worth, Lucent Corporation, Dallas, Wittliff Collection, Texas State University-San Marcos, and Story Sloane Collection, Houston.

Texas Photographic Society
TPS 25: The International Competition

June 3 to September 4, 2016


In association with the TPS 25: The International Competition:

Click Here for Photos in the ShowClick Here for Article: Cell Phone Snaps Earn OC Professor Notice


Below is a brief description of TPS 25: The International Competition:

Juror Rixon Reed of Santa Fe, New Mexico, has selected 60 images from 25 photographers for TPS 25: The International Competition. Reed writes of his selections:

In today’s image-laden world, it’s not hard to find interesting photographs to view. There are an incredible number of websites with constant streams of images, but usually with very little context. Scroll through them long enough and you’ll almost always find something to linger on. But for me, it’s rare that these images give me the desire to delve deeper and learn more about the work scrolling past me.

So, what do I respond to?

As a bookseller who sees hundreds of new titles each year, I get most excited about work that uses the medium in aesthetically interesting ways. I’m drawn to all kinds of imagery from documentary, street photography, portraiture, nudes, to constructed photographs and studio work. In judging whether or not a book is successful, I ask myself, does this present an unusual viewpoint? How creative is the design? Does the form it takes make sense aesthetically with the work it contains?

As a gallerist, I’m drawn to artists who are exploring their world in exciting new ways and producing images with fresh ideas and/or aesthetic beauty. I’m particularly interested in the use of alternative processes in the age of the digital image or unusual uses of digital photography.

But ultimately, when looking at individual images, I want to be struck by their originality. I want to feel the image emotionally and I want it to be smartly done. I want to find images that make me think, “Here is a creative mind working on something different.”

 

©Crystal Allbright

The Bike Tree
©Matt Walter

Hallie and Dadie Stillwell
©James H. Evans

Flora Domesticas
©Steve Goff

Caneel Cardwell
©Caneel Cardwell

Big Bend Legacy

Big Bend Legacy

The exhibit Big Bend Legacy greets visitors as they enter the Museum of the Big Bend. Legacy introduces visitors to the distinctive natural history, human history and confluence of cultures in the Big Bend region. Native Americans inhabited the area for thousands of years before the arrival of the Europeans. The Spanish, through their system of missions and presidios, imprinted their customs on the region only to be replaced by the nation of Mexico. The westward expansion of the United States brought yet another unique culture to the Big Bend. Big Bend Legacy invites the visitor to experience this panorama of natural and human history. Enjoy the video montage below which walks you through the museum’s world-class permanent exhibits!